Sabtu, 25 Juni 2011

Poetry Analysis ; The Pool (by Hilda Doolittle)

The Pool   
by Hilda Doolittle

Are you alive? ~~Auditory Imagery
I touch you. ~~Tactile Imagery
You quiver like a sea-fish. ~~Visual Imagery
I cover you with my net. ~~kinesthetic imagery
What are you - banded one? ~~Auditory Imagery


The Analysis of the poem and paraphrase

It is human interaction between the speaker and the person who the speaker is asking a question and intends to give a help. The person (ref to: You quiver like a sea-fish) reflects someone that is in trouble or dying (sick or lost of spirit). The speaker tries to offer a help to the person mentioned and asking what exactly her or his trouble is?




Conclusion


It is a natural approach by the person to somebody that looks dying to get interaction with her or him and intends to help her or him by asking the problem or sadness that she or he has.


Author Biography


H.D. (born Hilda Doolittle) (September 10, 1886 – September 27, 1961) was an American poet, novelist and memoirist known for her association with the early 20th century avant-garde Imagist group of poets such as Ezra Pound and Richard Aldington. The Imagist model was based on the idioms, rhythms and clarity of common speech, and freedom to choose subject matter as the writer saw fit. H.D.'s later writing developed on this aesthetic to incorporate a more female-centric version of modernism.

H.D. was born in Pennsylvania in 1886, and moved to London in 1911 where her publications earned her a central role within the then emerging Imagism movement. A charismatic figure, she was championed by the modernist poet Ezra Pound, who was instrumental in building and furthering her career. From 1916-1917, she acted as the literary editor of the Egoist journal, while her poetry appeared in the English Review and the Transatlantic Review. During the First World War, H.D. suffered the death of her brother and the break up of her marriage to the poet Richard Aldington, and these events weighed heavily on her later poetry. She had a deep interest in Ancient Greek literature, and her poetry often borrowed from Greek mythology and classical poets. Her work is noted for its incorporation of natural scenes and objects, which are often used to emote a particular feeling or mood.

She befriended Sigmund Freud during the 1930s, and became his patient in order to understand and express her bisexuality. H.D. married once, and undertook a number of heterosexual and lesbian relationships. She was unapologetic about her sexuality, and thus became an icon for both the gay rights and feminist movements when her poems, plays, letters and essays were rediscovered during the 1970s and 1980s. This period saw a wave of feminist literature on the gendering of Modernism and psychoanalytical misogyny, by a generation of writers who saw her as an early icon of the feminist movement.

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